Preview of Anthony James's Lightfield, a new show beneath Marble Arch Mound. On Isamu Noguchi ahead of a major retrospective of the Japanese-American sculptor's work at Barbican, London. Preview of the RHS Botanical Art and Photography Show at Saatchi Gallery, September-October 2021. Preview of Social Work, an exhibition of contemporary black art curated by Antwaun Sargent at Gagosian New York. Preview of Waste Age: What can Design Do? at the Design Museum, London Preview of Here We Are! Women in Design 1900 - Today, at the Vitra Design Museum, Germany. On street photographer Helen Levitt at the Photographer's Gallery, London. On the architectural photography of Hélène Binet, ahead of a show at the Royal Academy of Arts. Preview of Gillian Wearing: Wearing Masks, at Guggenheim, New York exploring the artist's use of masks and themes of illusion and deception in her practice. On Anicka Yi's new installation for the Tate Modern Turbine Hall. Review of photographic duo Marchand/Meffre's book depicting crumbling golden-age movie theatres across the USA. Long read on African art and photography from the modernist era onwards, with reference to Phaidon's African Artists From 1882 to Now (2021). Preview of sculptor Annie Morris's show When A Happy Thing Falls, at Yorkshire Sculpture Park 2021-22. ![]() Review of Dominic Bradbury, Todd Saunders: New Northern Houses (Thames and Hudson, 2021). On photographers Joanne Coates and Heather Agyepong, recipients of the 2021 Jerwood/Photoworks Award. Preview of Maurice Broomfield: Industrial Sublime at V&A, London. Preview of Evelyn Hofer: Encounters with the Camera and Female Perspectives from Vivian Maier to Barbara Klemm, both at the Cube in Frankfurt/Eschborn. Review of a book and mural by Danish photographer Søren Solkær documenting the extraordinary phenomenon of starling murmurations. Q&A with Chief Curator at Guggenheim Bilbao Christine Macel about the book and exhibition Women in Abstraction. Preview of Doug Aitken, New Era at the Museum of Contemporary Art, Sydney. ![]() On Robert Irwin's Light and Space exhibition at Kraftwerk Berlin. Preview of a new show of light-based sculpture by artist collective DRIFT at The Shed, New York. On the work of documentary and nature photographer Imogen Cunningham ahead of a major retrospective at Seattle Art Museum. Review of a new book by environmental photographer Benedikt Partenheimer capturing the effects of climate change. Review of new essay collection by Nigerian-American photographer and critic Teju Cole. On Shigeko Kubota's (1937-2015) MoMA show Liquid Reality. Interview with Rodrigo Orrantia, curator of No Place Is an Island, the latest instalment in the Photo50 annual exhibition series celebrating contemporary photography. Review of Nicolas Blandin's photobook Puszczka, documenting life in the ancient Białowieża Forest on the border of Poland and Belarus. Interview with curators Irene Aristizábal and Hammad Nasar about the inspiration behind their selection of artists for British Art Show 9. On the group show Light and Space, running at Copenhagen Contemporary during Spring-Summer 2022. Preview of the FOAM Amsterdam show Bill Brandt: The Sinister and the Beautiful. Review of Jesse Simon's architectural photography book Plattenbau Berlin. Survey of Peter Weibel's monograph on the use of negative space in modern sculpture. Review of Jyll Bradley's installation in the recently renovated Fruitmarket warehouse space. Preview of the group show What Is Left Unspoken, Love at the High Museum, Atlanta.Įxploring the curated street photography of Clarissa Bonet ahead of her show at Chicago's Catherine Edelman Gallery.Īssessing the global influences and afterlives of the Surrealist movement, in conjunction with Surrealism Beyond Borders, Tate Modern. On textile artist Sheila Hicks, ahead of a retrospective at Hepworth Wakefield. Interview with renowned landscape and portrait photographer Nadav Kander. ![]() Review of a book on design in the age of climate crisis, edited by Alice Rawsthorn and Paola Antonelli. Long read on Larry Bell and the Light and Space movement. Preview of group show Who Are You: Australian Portraiture, at the National Gallery of Victoria, Australia. On the major retrospective of Diane Arbus's photography at Louisiana Museum of Modern Art, Denmark.ĭiscussing the Afro-Futurist photography of Darryl DeAngelo Terrell. On Ingrid Pollard, Altered Carbon, at MK Gallery.
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